Bootikins

by Augie March

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1.
Fake Jive 04:38
It's just a painting, it's just a song, wonderous plate, miraculous rag on holding the promise of happiness high, beauteous speck in a dilated eye, O you draw yourself a little leaner and you sing like somebody meaner than you are, don't you tiger of paper? A many false windowed thing, A kite in a lecturing wind awaiting intellectual strike, cast the pens down in the dome tonight. Have you read the poets lately? They don't get a weekly, monthly, bi-annual, Now you may cry but I doubt you will. Ten years is all it took, ten years in thrall to a lickspittle crook, now you don't know the crooked lay of the land, you don't trust any man to shake your hand without taking a thumb or a finger, how the vilest scent will linger while the sweetest pass away so swiftly. On this patriot day sound the national band, sweep the plain you sunburnt and bland, And I'll pollute the perfect stanza for music in a deft show of hubris unplanned, Hitch a skiff with a dusky daughter, sail down a river of grey water musics, Keeping the drain alive with all this fake jive. Life is a painting, life is a song, it holds the promise of happiness. I could tell you where it goes wrong as good as tell you why the longing long, you the poor painter, average singer, maybe you never went through the ringer enough, or loved it so you came out wrung. Like a cracked bell I continue to tell the same sad tale and toll all my failures to hold any note or I quaver and cast about for the bluest port in a black and white storm, O I've got lots of advice, never listen to any advice, be a pole, hoist your own flaming petard, and when you blow, blow hard.
2.
Once long ago there lived a Flea Who kept such a fine, fat King, Not that he held with royalty, But the appearance of the thing, And gave his Majesty to hold (Such pageantries are far too few) A sword of ruby-hilted gold That might hack a cheese in two; But lest this glory might begin To prove the regency too far, His thunderbolt they made of tin, And changed his godship for another Star. Thus when the Monarch drove abroad, With stars like buttons round his chest, God-fearing Fleas would all applaud, And grudging Lice be so impressed. Such relics every Flea must flaunt, If only as the final trump That mocks Materialism's taunt, There’s more to life than Suck and Jump Once long ago—but not so long— A King went curing scrofula . . . The chorus of this charming song, is Ha, Ha, Ha.
3.
The third man is a film revered And a very well regarded scent The third eye is a heavy heavy brow On a Hindu cow in a worship tent But the third drink Is a prick in the universe Anchor and balloon Fierce flame and a cold spoon A Guarded moment At the change of guards Which ushers in the imp, and the whispers, and the weeping bards (singing Two Minutes to Midnight) And asks of the senses derange Be unbound and Ripple and be above all strange Unserious now, do frolic, Improvise, vivid alcoholic. The third drink is chaperone To the flood Who, once asked to dance Gives more whim than any fool Ought chance The third man suffers not Over time it only grows its plot The third eye reads bovinely polyglot, The third drink gets me into troubles A lot Oh the third drink Is a prick in the universe Anchor and balloon And the wire in between on fire with a dying tune we’re gonna blitz it all, leaving only a black tawdry mark The third drink is a light, leads me into the dark
4.
In the rose bowl, rose petal water, Long gone poison, I’ll drink it if you will. Handsome women, hand me down clothes, But I’ve heard you walk on the billionaire rows, They are cocks and crow “There’s nothing to fear!” Stop what you’re doing and come outside the house, It’s forty two degrees, it’s eight PM or thereabouts, It isn’t the end, just the Long Wait and See, And nobody knows just how long or how terrible it will be. Oh you unborn, stay as you are, Will them that rut, pull away, before it goes so far - An unpopular art no? Most coveted part of the knowing animal, That makes its own hell… Stop what you’re doing and come into the yard, There’s smoke on the horizon and the wind is blowing hard, It isn’t only fire and foulness of the air But the many people dying and I don’t think I could care.
5.
It’s the heaviest stone to throw Being told that it’s nearly time to go When you know that just beyond the shroud There’s a gala going on but you’re not allowed For the first time in your life It’s the last time in your life It’s the heaviest stone to throw How many ways can the world say no? When all your tickets got punched long ago There’s little left but your ego All the women do the government While the men disappear in the fundament The bold and courageous thoughts of youth Seem silly and ridiculous beside the truth But when you gather up to do the sum They’re better than nothing now you’re having none Rash and reckless boy Temerarious young man Everybody gets a sunset Everybody gets ruined Everybody gets to fall apart upon the stage But you rarely if ever get to choose when… It’s the heaviest stone to throw When you can’t even laugh on the gallows When none of it was worth it and they really let you know You barely even cast a shadow You never really cast a shadow
6.
Bootikins 03:33
You’ll die and be not happy, This has ever been the score, Some of you for want of nothing, Some of you for wanting more… Little boots did bind my painted toes I coddled your devotions, Now I’ve nightly conversations with the mountains and the oceans… I’m the lake, I am the loon, I’ll take your eye with a spoon, I have swords as well as islands I can make you feel your dying, try me… A perfume from a foul disease, From here to there I walked the seas, But even feats as bold as these grow tiresome and dreary, I have felt what love can do, Love can’t mend a broken shoe, O I don’t covet love from you, You would better fear me… We’re a scar that was a wound and puckered too soon, I have swords as well as islands I can make you feel your dying, try me… “I understand it all - that is my trouble.” Bring the poets from their brew, March them to me two by two, Have them know the theme is death Then let them sing it new - the well of wisdom is a fast latrine, The tree of love is sappy, Have I told you ever darling how men die and are not happy? When the last holly blooms I’ll fornicate with the moon, I have swords as well as islands I can make you feel your dying, try me…
7.
When I am old, Not if, but when, ailments will derail not end, laments will fail not to upend my later years which I will spend, alone, when I am old, alone - what is the male kind of crone? old lonely men dress for court on their own, nothing suggests I will not be alone when I'm old. When I am old, There will be no more lions Only in prisons Product of aeons of bestial poems never told Fire that does not rage is cold Cold flames are the tongues that sing dying There’s no point in lying about being old men dress for the mall in the morning nothing suggests I will not be forlorn when I’m old Not if, ifs and buts, but whens, I’ll take a wood load at roughly ten, measure the hours by some Bushells blend, read the papers from start to end alone, when I am old, alone - what is the male kind of crone? I’ll give the obituary special attention Which of my neighbours has earned a mention When I am old There will be no more whaling Oh you cannot go whaling When there are no more whales in the tepid sea my instincts have always been dull Not that I ever listened at all If I lay in a burning bed I waited for the rain to fall Old men see what they’re leaving behind and thank small mercies for going blind When I am old I will have no companion No mouser no spaniel when all I could do is to leave them behind No spark to depend on my dithering lick Sputtering sickly at candle’s end No love to address No missives to pen When I am old I’ll take heroin.
8.
Tomis 03:16
The highlight of a low life in the city of rock and rain, Being told by some new emperor how to better clothe my shame - Six years to put it together, six more to pull it apart and I won’t go back but I haven’t left yet, If you set your mind there’s many ways to get to… It’s a hot headed mountain wears a cap of cooling snow, An agent of calamity that stays the domino, The ground is cold and stony here but I can make it grow something, Happily no vision of me, No rosy bed, no weed, no tree, A calling of time on this branch of the line, I hopped the train and shuffled down the lane to… Nobody tells you which way to go, Animals leap across your shadow, Makes a change from the preening shallows where you’re lucky if you know One son of a gun among the sons of bitches, One white witch in the coven of witches Who won’t tell me what I deserve to get, Who’ve bought my shoes but haven’t paid for them yet, Or walked a metre let alone a mile, Who chose to thieve, I chose exile.
9.
Only two short stops to average Melegnano I had a house and a family and a yard Though I did not know them and did not mow it but I lived somehow oh I woke up in Borgolombardo In a bed that I’d never made There were saplings all down to the pretty rivulet And fish in the cold water there What freight of dread was my train of thought each new day in Borgolombardo I woke up in Borgolombardo Like a game I’d never played What strange cordials propositioned me to taste And whose underwear would circle my waist And how would the shade seem to me when alone or when standing in it with my wife Till I knew it was coming to me To awaken in the house next to mine But not before living in many more houses In many more times oh oh oh over many more years inside many more feelings and in many more minds oh oh oh I woke up in Borgolombardo And I wasn’t the same anymore For I was to live every life of every man who was strange like me oh oh oh And how quickly the dizzying dread turned to glee And I was untrapped and trapless as can be Mountainously free in Borgolombardo Mountainously free in Borgolombardo Mountainously free in Borgolombardo And every day would have its own history
10.
Cushioned, my hair, returns to a modest helmet But always rough ridden with new hidden rents and tears Inside is my toxic Bohemia, and nightly its rotten circus, tours its fetid underground, which is fairly enormous I feel I must be a sad nazi somehow I feel I must be a sad nazi somehow I see young mother nature, and I want to defrock her I hurtle back, to a conservative locker With pictures of Marine and Rand and Lady Thatcher Blu-tacked to the door of my tinny dream catcher I hurtle back, to a conservative locker and sleep the sleep, of a stone cold winner. All of my emails are from Russian females They put me in mind put me in a hard soul kind of heart murmur I get firmer when I give them my replies None of my emails are from Asian shemales If you will be mine I will love you long time If you will be mine I will love you a long time I hurtle back, to a conservative locker I need an alpha, I need a beta blocker All the booze and fags in the world My playground keeps increasing I hear death cries from the night skies I don’t care what little lives are ceasing I feel I must’ve arrived at the end of the race Nobody can keep up with this alien pace I feel I must’ve arrived at the end of the race Nobody can keep up nobody can keep up I hurtle back, to a conservative locker I see young mother nature And I want to defrock her If you will be mine If you will be mine If you will be mine opiano opiano opiano so divine
11.
Why don't we say it 'fingerrz' Like other words like that? the greasy glottal On the g When others like it lay flat? Like they got taken to By some alphabat Swinging ringer Some bitter clinger With an appetite for claptrap? Someone sort it Bring us fields of level Play Replace the rover with a winger like all the singing Sounds the same Like there’s a demon Ringing Bells inside your skull Till you're insane Bitter ringing in your brain The time is ripe Hark the harbingeerrrrz all good fellowzz Do not linggeerrz While you're at it Imprison all the chingerrrz do Or pretty soon there’ll be nothing left to cling to For all you Bitter clingerzz Marry principal Lower your ring upon its fingeerrz there it is! Now clench and pray It doesn’t make a fist Oh the shrieking in the mist of Pestilential Mire bringerrrz Presidential plague slingerzz Bitter clingerzz Bitter clingerzz Bitter clingerzz Why don't we say it finggeerrzz Like other words like that? the greasy glottal On the g When others like it lay flat? Cos it's a finger and it's permanently raised Are you so dumb you confused it for a thumb?

about

BOOTIKINS represents another extraordinary chapter in the life of this acclaimed Australian group, as they release their sixth studio album. Recorded between Hobart and Melbourne, it was produced by Tony Cohen, who came out of retirement to make good on a promise to himself to work with the band. Following his sad passing, a final track was recorded with Cohen’s good friend John Olson at the helm, with the band, Robin Mai and Paul McKercher mixing the record between them.

credits

released February 23, 2018

Fake Jive
- Vocals, guitars, keys recorded at The Dark Satanic Mill, Hobart, by Glenn Richards
- Keys recorded at home by Kiernan Box
- Mixed at Sing Sing, Richmond, by Paul McKercher

Mephistopheles Perverted
- Guitars, vocals, keys, recorded at The Dark Satanic Mill, Hobart, by Glenn Richards
- Bass, drums, keys recorded at Second World, Fairfield, by Nick Treweek
- Mixed at Reeburgh Station, Bright, by Robin Mai

The Third Drink
- Recorded live to tape at Sound Park, Northcote, by Tony Cohen, assisted by John Olson
- Vocals, guitar recorded at The Dark Satanic Mill, Hobart, by Glenn Richards
- Strings recorded at Second World, Fairfield, by Nick Treweek
- Mixed at Sound Park, Northcote, by Tony Cohen, assisted by John Olsen

The Long Wait and See
- Keys, vocals, guitar recorded at The Dark Satanic Mill, Hobart, by Glenn Richards
- Bass, drums, guitar, strings and clarinet recorded at Second World, Fairfield, by Nick Treweek
- Guitar recorded at home by Adam Donovan
- Mixed at The Dark Satanic Mill, Hobart, by Glenn Richards

The Heaviest Stone
- Bass, drums, keys, some guitar recorded at Sound Park, Northcote, by Tony Cohen, assisted by John Olson
- Drums and guitar recorded at Phaedra, Coburg, by John Lee
- Vocals, guitars recorded at The Dark Satanic Mill, Hobart, by Glenn Richards
- Guitar recorded at home by Adam Donovan
- Mixed at The Dark Satanic Mill, Hobart, by Glenn Richards

Bootikins
- Bass, drums, keys, some guitar, backing vocals recorded at Sound Park, Northcote, by John Olson
- Vocals, guitars recorded at The Dark Satanic Mill, Hobart, by Glenn Richards
- Mixed at Reeburgh Station, Bright, by Robin Mai

When I Am Old
- Recorded live to tape at Sound Park, Northcote by Tony Cohen, assisted by John Olson
- Strings recorded at Second World, Fairfield, by Nick Treweek
- Mixed at Sound Park, Northcote by Tony Cohen, assisted by John Olsen

Tomis
- Bass, drums, keys recorded at Second World, Fairfield, by Nick Treweek
- Vocals, guitars, fx, keys recorded at The Dark Satanic Mill, Hobart, by Glenn Richards
- Keys recorded at home by Kiernan Box
- Mixed at The Dark Satanic Mill, Hobart, by Glenn Richards

I Woke Up in Borgolombardo
- Bass, drums, keys recorded at Second World, Fairfield, by Nick Treweek
- Vocals, guitars, fx, keys recorded at The Dark Satanic Mill, Hobart, by Glenn Richards
- Keys recorded at home by Kiernan Box
- Guitar recorded at home by Adam Donovan
- Mixed at The Dark Satanic Mill, Hobart, by Glenn Richards

I Hurtle Back to a Conservative Locker
- Recorded live to tape at Sound Park, Northcote by Tony Cohen, assisted by John Olson
- Horns recorded at Second World, Fairfield, by Nick Treweek
- Mixed at Sound Park, Northcote by Tony Cohen, assisted by John Olsen

Bitter Clingerzz
- Recorded live to tape at Sound Park, Northcote by Tony Cohen, assisted by John Olson
- Vocals, guitar recorded at The Dark Satanic Mill, Hobart, by Glenn Richards
- Horns recorded at Second World, Fairfield, by Nick Treweek
- Mixed at Sound Park, Northcote by Tony Cohen, assisted by John Olsen

Dedicated to Tony Cohen

Horn Players - The Arnold Horns
Adam Hutterer - Trombone
Ken Gardner - Trumpet
Matthew Habben - Saxophone and Clarinet

String Players
Biddy Connor - Viola
Lizzy Welsh - Violin
Zoe Barry - Cello

Horn arrangements for “The Heaviest Stone” and “Bitter Clingerzz” by Kiernan Box

String arrangements for “The Third Drink”, “When I Am Old” by Dave Williams and Biddy Connor
“The Long Wait and See” by Kiernan Box and Glenn Richards

All other string/brass arrangements by Glenn Richards

Backing vocals on “When I Am Old” and “The Heaviest Stone” by Jess Cornelius

Mastered by Joe Carra at Crystal Mastering

Artwork by Matthew Dunn www.matthewdunnart.com
Art direction Matthew Dunn and Glenn Richards

Edmondo would like to thank Fender Australia, Lorantz Audio and Giles Audio.
Dave would like to thank Vic Firth Sticks, Remo Drumheads and Zildjian Cymbals.

All songs performed by Augie March
All songs written by Glenn Richards (Sony/ATV Music Publishing)

Produced by Glenn Richards

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Augie March Melbourne, Australia

Over the last 25 years, few Australian bands have enjoyed a synergy of critical and commercial success like Augie March. Their songs are heard on almost every radio format in the country - with gold and platinum albums to their credit - yet they remain iconoclasts, perennial outsiders. ... more

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